“The new radicalism is paper. Right? Publish it on a printed page and no one will ever know about it. It’s the perfect vehicle for terrorists, plagiarists, and for subversive thoughts in general. If you don’t want it to exist—and there are many reasons to want to keep things private—keep it off the web. But if you put it in digital form, expect it to be bootlegged, remixed, manipulated, and endlessly commented upon. Expect spiders to pick it up and use it as ad-bait on spoof web pages. The moment you put it out there, all bets are off; it’s way out of your control.”—Kenneth Goldsmith (via austinkleon)
My pencil would be dull. Dull from practicing the possibility of perfect circles. The lead would make the newsprint shiny as I traced the line over and again. Stillness at the kitchen table gave way to the lone movement of cursive practice into a dark afternoon. Worse than eating peas, and…
I want to write a language to measure and describe the unmeasurable and indescribable.
“The portrait of identity online is often painted in black and white,” Poole said. “Who you are online is who you are offline.” That rosy view of identity is complemented with a similarly oversimplified view of anonymity. People think of anonymity as dark and chaotic, Poole said.
But human identity doesn’t work like that online or offline. We present ourselves differently in different contexts, and that’s key to our creativity and self-expression. “It’s not ‘who you share with,’ it’s ‘who you share as,’” Poole told us. “Identity is prismatic.”